Audrey Wilson and The Ever End: How a Chicago Writer Is Redefining Psychological Horror

Audrey Wilson didn’t abandon screenwriting when she turned to novels. She simply widened the frame.

A Chicago-based writer with deep roots in both film and fiction, Wilson has built a career exploring what unsettles people long after the lights come up. Her latest novel, The Ever End, marks a significant evolution in that pursuit, shifting from the collaborative world of screenwriting into the solitary, immersive terrain of psychological horror literature.

At its core, The Ever End is less concerned with jump scares than with the slow, suffocating tension that creeps in when instinct collides with social conditioning. The novel draws inspiration from a deceptively simple idea: the way politeness can override survival, and how often people are taught to ignore their gut in favor of being agreeable. That tension becomes fertile ground for terror, unfolding through characters who feel achingly familiar rather than safely fictional.

Wilson’s creative process reflects her screenwriting background. She is an enthusiastic outliner, mapping emotional beats and narrative turns before drafting a single page. Whether she’s working in screenplay format or long-form prose, structure remains her compass. But where film demands economy, the novel allows her to linger, to let dread ferment, to explore interior lives with greater depth.

The Midwest plays a quiet but persistent role in her work. Growing up in Chicago, Wilson absorbed a particular kind of atmosphere: wide spaces, harsh winters, and an undercurrent of isolation that can exist even in crowded places. It’s a region that doesn’t announce its menace, but waits patiently. That sensibility seeps into The Ever End, where horror isn’t imported, it’s already embedded in the landscape.

Wilson’s relationship with horror began early, shaped by formative encounters with films that treated fear as psychological terrain rather than spectacle. Those influences still guide her approach today. For her, horror is most effective when it reflects emotional truths, when it uses fear as a lens to examine identity, vulnerability, and power.

Representation is central to that mission. Wilson is intentional about creating characters who feel seen, particularly in a genre that has historically relied on familiar archetypes. She believes horror is uniquely positioned to explore marginalized experiences, not as metaphors, but as lived realities. By grounding terror in authenticity, she aims to build deeper connections with readers who recognize themselves on the page.

With The Ever End, Audrey Wilson isn’t just telling a scary story. She’s expanding the emotional vocabulary of horror, proving that the most unsettling monsters often emerge from everyday decisions, unspoken rules, and the quiet spaces where fear has room to grow.

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